
Madness in art from the Middle Ages to the Renaissance: symbols and revelations
Madness, with its medical, physiological and social implications, is one of the most complex subjects to define. Broadly understood as a deviation from what is considered “normal” (another concept that is equally wide-ranging and uncertain), it has long attracted the attention of intellectuals, scientists and artists. The latter, in particular, have portrayed it through different forms and approaches, which vary according to the period and the sensitivity of each artist.
Precisely because the manifestations of madness are manifold – and the interpretations just as numerous – this article focuses on some of the most well-known and still meaningful examples today, dating from the period between the Middle Ages and the Renaissance.









