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ADI Design Museum

The history
Inaugurated in May 2021 in 5,000 square metres of exhibition space in the square of the same name, the ADI occupies the former industrial area in Milan between Via Ceresio and Via Bramante, a space that in the 1930s was a depot for horse-drawn trams and an electricity distribution plant.
The museum is managed by the Fondazione ADI Collezione Compasso d’Oro, established in 2001 by ADI – Associazione per il Disegno Industriale (an institution that promotes the Compasso d’Oro Award, the most prestigious international design award), in order to preserve and enhance what has been built up over the decades of the Award’s activities: a national cultural heritage, recognised by the Ministry of Culture as being of ‘exceptional artistic and historical interest’.
On the occasion of the opening of the Museum, a new logo, based on the one originally designed by Albe Steiner, was created by the Migliore+Servetto studio of architects in collaboration with graphic designer and architect Italo Lupi.
The collection
ADI Design Museum hosts the entire repertoire of the winning projects of the Compasso d’Oro Award, an award born in 1954 from an idea of Gio Ponti to valorise the quality of made-in-Italy design – today the oldest and most institutional recognition of the sector worldwide.
A dynamic museum, constantly evolving and destined to tell the story of Italian design in its industrial, economic, cultural and social, popular and research aspects. In addition to the Permanent Collection, the museum’s spaces host temporary exhibitions, spaces for business meetings, design lectures, workshops for children, as well as transversal initiatives and meetings for the general public – with the aim of contributing to the dissemination and enhancement of design culture on a national and international level. Also available to the public are a library, ADI headquarters and historical archive, a bookshop and a catering area.
Photo: ADI Design Museum, Milan
Temporary exhibitions
Essenziale e Quotidiano. Scenari e rituali del cibo contemporaneo
An exhibition on food identity as a culture of design
Food and design: two elements that seem distant but are deeply intertwined, both expressions of behavior, culture, and transformation.
“Essential and Everyday. Scenarios and Rituals of Contemporary Food” is the title of the exhibition hosted by ADI Design Museum in conjunction with TuttoFood Milano 2025 at Fiera Milano and with TuttoFood Week – Nourishing the Future, the city-wide program of events, meetings, and installations that will animate the city of Milan.
Curated by Carlo Branzaglia and Giulio Iacchetti, the exhibition serves as an exploration of how the objects and rituals of food tell the story of our time, our desires, our limitations, and above all, our possibilities.
The exhibition revolves around six conceptual matrices, which define the “drivers” of contemporary transformation:
- (Pro)portions – Less is more: frugality and sustainability as cultural and economic responses to environmental impact.
- (Well)being – Feeling good: health, balance, biodiversity, and nutrition as the first form of medicine.
- Supplies – Get your food: the personalization of the culinary act and the rediscovery of the “chef within us.”
- Hybridizations – Lunch with the world: cultural contamination, global mediations, and new rituals.
- Decorum – A new classicism at the table: aesthetics, storytelling, and the choreography of the meal.
- Tomorrow – What if tomorrow: future scenarios, between pragmatism and vision.
Each matrix is explored through a selection of iconic design objects, experimental projects, innovative materials, cutting-edge utensils, and theoretical reflections that connect food to the great themes of our time: environmental crisis, inclusivity, ethics, education, anthropology, technology, and storytelling.
At the end of the exhibition journey, a special section is dedicated to “Caffettology,” a reflection on the coffee culture as a social ritual and national symbol. From the design of coffee machines to collective habits, around coffee intertwine technical knowledge, social rituals, and everyday aesthetics: a microcosm where design meets cultural identity.
The exhibition will also provide an opportunity for public reflection. ADI Design Museum will host round tables and talks open to the public, featuring experts, designers, researchers, chefs, activists, companies, and institutions.
The exhibition is promoted by Fiere di Parma, Mondadori Media, and ADI Design Museum, with the aim of exploring food as a cultural, design, and strategic element to imagine new sustainable scenarios.
Visit information
- Admission included in the museum ticket
- 29.04 – 25.05.2025
Dante Bini. Out of the Box
Curated by Alessandro Colombo and Paola Garbuglio
ADI Design Museum presents Dante Bini. Out of the Box, an exhibition dedicated to one of the most eccentric and radical figures of design culture in the second half of the twentieth century. An architect, inventor, and builder, Bini navigated the boundaries between architecture, engineering, and industrial design with independence and precision, developing solutions that addressed social, technological, and ecological urgencies.
Curated by Alessandro Colombo and Paola Garbuglio, the exhibition offers a thematic reading of Bini’s work, avoiding a chronological narrative in favor of a conceptual, centered structure that reflects the variety and simultaneity of his fields of research. The exhibition design mirrors Bini’s interdisciplinary approach, where each project engages in dialogue with the others through visual and narrative axes that cross the space—transforming air, the quintessential raw material in Bini’s work, into a vector of connections and meaning.
In a time when design is being called upon to redefine its role in relation to sustainability, technology, and social responsibility, ADI Design Museum reflects on a figure who made unconventional vision his stylistic hallmark, blending poetic intuition, technical rigor, and imaginative drive. A forerunner of practices that are now central to contemporary discourse. The role of the architect is explored as strategically positioned yet marginal to mainstream architectural narratives—a collective process of study and rediscovery conducted by the scientific committee in dialogue with the Archivio del Moderno in Mendrisio, which will host the Bini archive for future research.
At the core of Bini’s work is the development of alternative construction techniques, where experimentation becomes methodology. From the first Binishells—domes raised by air pressure—to space habitat prototypes, Bini’s work stands as an exploration of the potential of material, form, and space. Projects like Kyoto K21 and Tower City address the challenges of urban density, while devices such as the Biniscooter offer decentralized and sustainable models for energy and mobility.
Each project responds to a context, a crisis, or a vision. Form is never an end in itself but emerges from construction constraints, structural logic, and considerations of use—an approach that reveals a creator operating beyond disciplinary boundaries, anticipating many of today’s most urgent issues. The exhibition aims to bring back into the spotlight a figure long overlooked in official narratives. “Studying Bini’s work is like a treasure hunt,” writes the scientific committee, composed of Alberto Bologna, Carlo Dusi, Will Mac Lean, Alberto Pugnale, and Giulia Ricci.
From the dome at Columbia University’s campus in 1967 to lunar habitats, Dante Bini acted like a modern Galileo: challenging the laws of the physical world in order to rewrite them through design. Out of the Box celebrates the transformative power of a mind both visionary and practical, poetic and technical. As astronaut Harrison Schmitt of Apollo 17 once told him, “Of you and me, only the immortality of the energy of our thought will remain.”
“Dante Bini is the embodiment of the Renaissance builder: he fuses humanism and innovation into a design poetics that speaks of the future, of lightness and substance. His architectures, born ‘with air,’ express a vision that transcends conventional forms—hard to categorize but unmistakable. Like air itself,” commented ADI president Luciano Galimberti.
The exhibition is also a tribute to Bini’s lateral thinking, his ability to see problems as opportunities, and his enduring spirit of public and professional service. A true innovator ahead of his time, a maker who turned every constraint into a chance for wonder.
Visit information
- Admission included in the museum ticket
- 1.05 – 15.06.2025
Monday to Sunday from 10.30 am to 8 pm.
Last admission 7:15 pm.
Friday
2 hours
Temporary exhibitions included in the ticket price
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