{"id":30690,"date":"2026-04-22T09:00:00","date_gmt":"2026-04-22T07:00:00","guid":{"rendered":"https:\/\/www.beculture.it\/?p=30690"},"modified":"2026-04-01T08:22:42","modified_gmt":"2026-04-01T06:22:42","slug":"womens-hairstyles-renaissance-art","status":"publish","type":"post","link":"https:\/\/www.beculture.it\/en\/womens-hairstyles-renaissance-art\/","title":{"rendered":"What have you put on your head? Women\u2019s hairstyles in Renaissance Art"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Hair, especially women\u2019s hair, has attracted interest across many periods and cultures. Short or long, loose or styled, displayed or covered, fashion reflects religious and political norms, social conventions, and becomes a visible language of identity and belonging. In the Renaissance, <strong>hairstyles<\/strong> became increasingly varied and elaborate, and women adopted them to assert their role and express their personality. Let\u2019s explore this fascinating world <strong>through a selection of artworks from that period<\/strong>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Historical context: women\u2019s hair between the 15th and 16th centuries<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Hairstyles of the 15th and 16th centuries tell us more than just fashion: they reflect an entire era shaped by rules, symbols and female aspirations. During this period, the ancient world inspired Renaissance intellectuals, artists and patrons, and admiration for classical antiquity permeated philosophy, art and craftsmanship. Court ladies, too, looked to the ancient past, finding in the <strong>effigies of Roman matrons<\/strong>\u2014characterised by braids, buns and chignons\u2014models of a new femininity ready to be imitated.<br>Yet the transition was not so straightforward, and the matter of hair became intertwined with religious ideology and the (pseudo-)scientific beliefs of the time.<\/p>\n\n\n<style>.elementor-17445 .elementor-element.elementor-element-7970e3c4:not(.elementor-motion-effects-element-type-background), .elementor-17445 .elementor-element.elementor-element-7970e3c4 > .elementor-motion-effects-container > .elementor-motion-effects-layer{background-color:#596BF300;}.elementor-17445 .elementor-element.elementor-element-7970e3c4{border-style:solid;border-width:0px 0px 0px 0px;border-color:#3A3A3A;transition:background 0.3s, border 0.3s, border-radius 0.3s, box-shadow 0.3s;margin-top:15px;margin-bottom:0px;padding:0px 0px 35px 0px;}.elementor-17445 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);max-width:460px;--container-widget-width:460px;--container-widget-flex-grow:0;}}@media(min-width:768px){.elementor-17445 .elementor-element.elementor-element-11b38a63{width:100%;}}@media(max-width:1024px) and (min-width:768px){.elementor-17445 .elementor-element.elementor-element-11b38a63{width:100%;}}@media(max-width:767px){.elementor-17445 .elementor-element.elementor-element-11b38a63{width:95%;}}\/* Start custom CSS for heading, class: .elementor-element-2f67691b *\/.elementor-17445 .elementor-element.elementor-element-2f67691b, .elementor-17445 .elementor-element.elementor-element-2f67691b h2 {\n    margin-bottom: 0;\n}\/* End custom CSS *\/\n\/* Start custom CSS for form, class: .elementor-element-e559aed *\/\/* Stili specifici SOLO per la checkbox con ID field_8c61e93 *\/\r\n#form-field-field_8c61e93 {\r\n    position: relative;\r\n    border: 1px solid #000000 !important;\r\n    border-radius: 50%;\r\n    background: none !important;\r\n    line-height: 0;\r\n    outline: 0;\r\n    padding: 10px;\r\n    vertical-align: text-top;\r\n    cursor: pointer;\r\n    -webkit-appearance: none;\r\n    margin-top: 0;\r\n}\r\n\r\n#form-field-field_8c61e93 + label {\r\n    font-size: 0.9rem;\r\n}\r\n\r\n#form-field-field_8c61e93:checked {\r\n    background-color: #000000 !important;\r\n    opacity: 1;\r\n}\r\n\r\n#form-field-field_8c61e93:checked:before {\r\n    content: '';\r\n    position: absolute;\r\n    right: 50%;\r\n    top: 50%;\r\n    width: 4px;\r\n    height: 10px;\r\n    border: solid #FFFFFF;\r\n    border-width: 0 2px 2px 0;\r\n    transform: rotate(45deg) translate(-50%, -50%);\r\n}\/* End custom CSS *\/<\/style>\t\t<div data-elementor-type=\"section\" data-elementor-id=\"17445\" class=\"elementor elementor-17445 elementor-17296\" data-elementor-post-type=\"elementor_library\">\n\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7970e3c4 elementor-section-boxed elementor-section-height-default 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required=\"required\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<div class=\"elementor-field-type-acceptance elementor-field-group elementor-column elementor-field-group-field_8c61e93 elementor-col-100 elementor-field-required\">\n\t\t\t\t\t\t\t<div class=\"elementor-field-subgroup\">\n\t\t\t<span class=\"elementor-field-option\">\n\t\t\t\t<input type=\"checkbox\" name=\"form_fields[field_8c61e93]\" id=\"form-field-field_8c61e93\" class=\"elementor-field elementor-size-sm  elementor-acceptance-field\" required=\"required\">\n\t\t\t\t<label for=\"form-field-field_8c61e93\">I have read the <a href=\"https:\/\/www.beculture.it\/privacy-policy\/\">privacy policy<\/a><\/label>\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<div class=\"elementor-field-group elementor-column elementor-field-type-submit elementor-col-33 e-form__buttons\">\n\t\t\t\t\t<button class=\"elementor-button elementor-size-sm\" type=\"submit\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">subscribe<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/button>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/form>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\n\n\n<p class=\"wp-block-paragraph\">Scholars of the period had revived the theories of Aristotle and Galen, according to which hair was a waste product, like faeces and urine, generated by bodily vapours. This extremely negative connotation aligned with the Christian morality promoted by theologians and preachers: for Renaissance churchmen, hair\u2014especially women\u2019s hair\u2014was considered unworthy, <strong>a sign of lust and sensuality<\/strong>, and therefore had to be restrained or covered. This recommendation even entered, in some cases, into law, within the sumptuary regulations governing etiquette and social customs. To counter the lowly, almost excremental nature of hair, it had to be gathered and disciplined into orderly hairstyles, as a sign of modesty and respectability.<br>However, <strong>excessive care of the hair was also frowned upon<\/strong>, as it could lead to vanity and sin: those who devoted too much time to styling it risked tempting men and encouraging improper thoughts.<br>It is therefore no surprise that in the art of the 15th and 16th centuries, female figures are mostly depicted with carefully arranged and elaborate hairstyles. Exceptions occur only in subjects with strong symbolic meaning, portrayed with loose hair for precise allegorical purposes.<br>Despite the limitations of the time, women were able to transform their hair into tools of expression and identity, creating original styles that still speak of their personality today.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">3 iconic Renaissance hairstyles<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The ambiguous nature of women\u2019s hair is also evident in the language of the time: the term <em>capelli<\/em> was used for men, while <em>crine<\/em> referred to women\u2019s hair and animal fur. Yet women devoted considerable time and attention to their hair, both to style it\u2014often with the help of maids and attendants\u2014and to dye it, exchanging recipes and cosmetic advice. The red-gold hue seen in the paintings of<a href=\"https:\/\/www.beculture.it\/en\/artist\/tiziano-en\/\"> Tiziano<\/a> is particularly famous: a symbol of aesthetic perfection, it sparked a true craze among Venetian noblewomen, who were willing to spend long hours in the sun applying lightening treatments.<br>This practice, along with elaborate hairstyles, was often criticised and mocked by men of the time. However, such condemnation did not prevent women from continuing to style their hair.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><em>Coazzone<\/em> and <em>capigliara<\/em>: hairstyles in the fashion of the d\u2019Este sisters<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Beatrice d\u2019Este\u2014sister of the more famous Isabella and wife of Ludovico il Moro\u2014is credited with <strong>introducing the <em>coazzone<\/em> to late 15th-century Milan<\/strong>, a hairstyle of Spanish origin. It consisted of a single braid starting at the nape of the neck and falling down the back, wrapped in ribbons and enriched with precious decorations, held in place by a cap and secured on the forehead with a <em>lenza<\/em> (a thin silk cord, itself adorned with a pendant). <a href=\"https:\/\/www.beculture.it\/en\/cosme-tura-history-and-works\/\">Cosm\u00e8 Tura<\/a>, in a portrait now unfortunately lost, depicted the duchess wearing this famous hairstyle, which can be recognised in many other paintings of the period, testifying to its popularity.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"944\" height=\"450\" src=\"https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/CoazzonecoltrenzaleefilidiperleminiaturadiBeatricedEste1494.jpg\" alt=\"coazzone miniatura beatrice d'Este\" class=\"wp-image-30673\" srcset=\"https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/CoazzonecoltrenzaleefilidiperleminiaturadiBeatricedEste1494.jpg 944w, https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/CoazzonecoltrenzaleefilidiperleminiaturadiBeatricedEste1494-300x143.jpg 300w, https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/CoazzonecoltrenzaleefilidiperleminiaturadiBeatricedEste1494-768x366.jpg 768w, https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/CoazzonecoltrenzaleefilidiperleminiaturadiBeatricedEste1494-600x286.jpg 600w\" sizes=\"(max-width: 944px) 100vw, 944px\" \/><figcaption class=\"wp-element-caption\">Beatrice d&#8217;Este<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Just as today, however, fashions in the Renaissance were fleeting and quickly replaced by new trends, which everyone at court and beyond hurried to imitate in order to keep up with the times. Within a few years, the <em>coazzone<\/em> gave way to the <strong><em>capigliara<\/em><\/strong><strong>, promoted by Isabella d\u2019Este<\/strong>, Marchioness of Mantua and daughter of Ferdinando I d\u2019Aragona, King of Naples. This voluminous hairstyle\u2014resembling a doughnut-shaped headdress\u2014consisted of a mass of hair, often artificial, held together by a net of varying density, embellished with gems and ribbons. An example can be seen in the <em>Ritratto di donna<\/em> by Nicol\u00f2 dell\u2019Abate (c. 1547\u20131550), housed in the Galleria Borghese in Rome, where a richly dressed lady wears a typical <em>capigliara<\/em>, with curls framing her face. Wearing it was not only a way to stay fashionable, but also a means of demonstrating closeness\u2014and political allegiance\u2014to the powerful noblewoman, a tastemaker and creator of many other hairstyles.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"944\" height=\"450\" src=\"https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Ritratto-di-donna-1547-1550-ca.jpg\" alt=\"ritratto di donna\" class=\"wp-image-30669\" srcset=\"https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Ritratto-di-donna-1547-1550-ca.jpg 944w, https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Ritratto-di-donna-1547-1550-ca-300x143.jpg 300w, https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Ritratto-di-donna-1547-1550-ca-768x366.jpg 768w, https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Ritratto-di-donna-1547-1550-ca-600x286.jpg 600w\" sizes=\"(max-width: 944px) 100vw, 944px\" \/><figcaption class=\"wp-element-caption\"><em>Ritratto di donna<\/em>, Nicol\u00f2 dell\u2019Abate<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Hair gathered in the style of Eleonora da Toledo<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">It was also Isabella who popularised the fashion of wearing hair gathered into a bun and enclosed in a silk or gold net draped over the shoulders. The effect was both intriguing\u2014at a glance the hair appears loose\u2014and restrained, as it remained neatly \u201ctamed\u201d within the net.<br>The use of such accessories was not entirely new: already widespread in Aragonese Spain and, consequently, in the southern Italy region of Campania, it was also adopted by another charismatic figure of the time, <strong>Eleonora di Toledo<\/strong>, daughter of the Viceroy of Naples and wife of Cosimo I de\u2019 Medici. Her hair was braided, secured at the nape and enclosed in a gold and pearl net, with a central parting. This is the hairstyle she adopted from 1548\u2014when she arrived in Florence\u2014and never changed thereafter. It is exquisitely documented in the <strong>many portraits painted for her by <\/strong><a href=\"https:\/\/www.beculture.it\/en\/bronzino-in-florence-works\/\"><strong>Bronzino<\/strong><\/a>, official painter of the Medici court.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"944\" height=\"450\" src=\"https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Eleonora-di-Toledo-col-figlio-Giovanni-tra-il-1544-e-il-1545-Bornzino-Galleria-degli-Uffizi-Firenze.jpg\" alt=\"eleonora di toledo col figlio giovanni bronzino\" class=\"wp-image-30671\" srcset=\"https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Eleonora-di-Toledo-col-figlio-Giovanni-tra-il-1544-e-il-1545-Bornzino-Galleria-degli-Uffizi-Firenze.jpg 944w, https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Eleonora-di-Toledo-col-figlio-Giovanni-tra-il-1544-e-il-1545-Bornzino-Galleria-degli-Uffizi-Firenze-300x143.jpg 300w, https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Eleonora-di-Toledo-col-figlio-Giovanni-tra-il-1544-e-il-1545-Bornzino-Galleria-degli-Uffizi-Firenze-768x366.jpg 768w, https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Eleonora-di-Toledo-col-figlio-Giovanni-tra-il-1544-e-il-1545-Bornzino-Galleria-degli-Uffizi-Firenze-600x286.jpg 600w\" sizes=\"(max-width: 944px) 100vw, 944px\" \/><figcaption class=\"wp-element-caption\"><em>Eleonora di Toledo col figlio Giovanni,<\/em> Bronzino<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Loose hair: a powerful symbol with multiple meanings<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">There is perhaps no more famous head of hair in the history of art than that of the<a href=\"https:\/\/www.beculture.it\/en\/nascita-di-venere-botticelli-analysis\/\"><em>Venere<\/em> di Botticelli<\/a> (c. 1485, Florence, Uffizi). Her long, soft hair flows freely in the wind, sensual and unrestrained, emphasising the erotic charge of the painting, already made explicit by the goddess\u2019s nudity. A charge further reinforced by Aphrodite\u2019s gesture: <strong>the lock of hair covering her genitals<\/strong> clearly alludes to pubic hair. This is an idealised image, far removed from the reality of noblewomen of the time, and derived from another well-known iconography. <\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"944\" height=\"450\" src=\"https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Nascita-di-Venere-1485-c.jpg\" alt=\"nascita di venere botticelli\" class=\"wp-image-30667\" srcset=\"https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Nascita-di-Venere-1485-c.jpg 944w, https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Nascita-di-Venere-1485-c-300x143.jpg 300w, https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Nascita-di-Venere-1485-c-768x366.jpg 768w, https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Nascita-di-Venere-1485-c-600x286.jpg 600w\" sizes=\"(max-width: 944px) 100vw, 944px\" \/><figcaption class=\"wp-element-caption\"><em>Nascita di Venere<\/em>, Botticelli<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">It is likely that, in depicting the movement of the divine hair, Botticelli drew inspiration from the <strong>famous Medusa with her deadly locks<\/strong> depicted in the <em>Tazza Farnese<\/em> (2nd\u20131st century BC, Naples, MANN &#8211; Museo Archeologico Nazionale di Napoli), which the artist had seen when it belonged to Lorenzo de\u2019 Medici. The goddess\u2019s flowing hair represents a fertile yet dangerous disorder, evoking lust and the loss of control women were believed to exert over men.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"944\" height=\"450\" src=\"https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Tazza-Farnese-II-sec.-a.C.jpg\" alt=\"tazza farnese\" class=\"wp-image-30665\" srcset=\"https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Tazza-Farnese-II-sec.-a.C.jpg 944w, https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Tazza-Farnese-II-sec.-a.C-300x143.jpg 300w, https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Tazza-Farnese-II-sec.-a.C-768x366.jpg 768w, https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Tazza-Farnese-II-sec.-a.C-600x286.jpg 600w\" sizes=\"(max-width: 944px) 100vw, 944px\" \/><figcaption class=\"wp-element-caption\">Tazza Farnese<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Yet loose hair does not speak only of eroticism: it is also used to signify <strong>repentance<\/strong>, as often seen in depictions of the penitent Magdalene. The most expressive example is undoubtedly the <em>Maddalena<\/em> by <a href=\"https:\/\/www.beculture.it\/en\/artist\/donatello-en\/\">Donatello<\/a> (1440\u20131442, Florence, Museo dell\u2019Opera del Duomo), where the dishevelled hair underscores the condition of impurity and suffering of the saint, once a prostitute.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"944\" height=\"450\" src=\"https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Maddalena-1440-1442-Donatello-Museo-dellOpera-del-Duomo-Firenze.jpg\" alt=\"maddalena donatello\" class=\"wp-image-30675\" srcset=\"https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Maddalena-1440-1442-Donatello-Museo-dellOpera-del-Duomo-Firenze.jpg 944w, https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Maddalena-1440-1442-Donatello-Museo-dellOpera-del-Duomo-Firenze-300x143.jpg 300w, https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Maddalena-1440-1442-Donatello-Museo-dellOpera-del-Duomo-Firenze-768x366.jpg 768w, https:\/\/www.beculture.it\/wp-content\/uploads\/2026\/03\/Maddalena-1440-1442-Donatello-Museo-dellOpera-del-Duomo-Firenze-600x286.jpg 600w\" sizes=\"(max-width: 944px) 100vw, 944px\" \/><figcaption class=\"wp-element-caption\"><em>Maddalena<\/em>, Donatellio<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Loose hair can also carry a positive meaning when associated with certain saints, such as in representations of Caterina d\u2019Alessandria, where it signifies her unshaken strength, or with newly married women, symbolising purity and fertility.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In a period so deeply rooted in codes and conventions as the Renaissance<sup>1<\/sup>, hair did not go unnoticed, and the attention paid to it by contemporary artists was far from accidental. Observing these hairstyles in the artworks of the time reveals a true silent language, rich in symbols and hidden meanings, often not immediately apparent to the untrained eye.<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>In 1528, Baldassarre Castiglione published <em>Libro del Cortegiano<\/em>, a treatise on the manners and behaviours appropriate to the courtier, which in some ways anticipates the more famous <em>Galateo<\/em> by Giovanni Della Casa.<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>Hair, especially women\u2019s hair, has attracted interest across many periods and cultures. Short or long, loose or styled, displayed or covered, fashion reflects religious and political norms, social conventions, and becomes a visible language of identity and belonging. In the Renaissance, hairstyles became increasingly varied and elaborate, and women adopted them to assert their role and express their personality. Let\u2019s explore this fascinating world through a selection of artworks from that period.<\/p>\n","protected":false},"author":7,"featured_media":30677,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1048],"tags":[],"class_list":["post-30690","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-insights"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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Women\u2019s hairstyles in Renaissance Art\",\"datePublished\":\"2026-04-22T07:00:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.beculture.it\\\/en\\\/womens-hairstyles-renaissance-art\\\/\"},\"wordCount\":1378,\"publisher\":{\"@id\":\"https:\\\/\\\/www.beculture.it\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.beculture.it\\\/en\\\/womens-hairstyles-renaissance-art\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.beculture.it\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/Donna-allo-specchio-1512-1515-circa-Tiziano-Louvre-Parigi.jpg\",\"articleSection\":[\"Insights\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.beculture.it\\\/en\\\/womens-hairstyles-renaissance-art\\\/\",\"url\":\"https:\\\/\\\/www.beculture.it\\\/en\\\/womens-hairstyles-renaissance-art\\\/\",\"name\":\"Women\u2019s hairstyles in Renaissance art\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.beculture.it\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.beculture.it\\\/en\\\/womens-hairstyles-renaissance-art\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.beculture.it\\\/en\\\/womens-hairstyles-renaissance-art\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.beculture.it\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/Donna-allo-specchio-1512-1515-circa-Tiziano-Louvre-Parigi.jpg\",\"datePublished\":\"2026-04-22T07:00:00+00:00\",\"description\":\"In the Renaissance, women\u2019s hairstyles gained symbolic meaning: increasingly elaborate, they expressed identity, status and power.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.beculture.it\\\/en\\\/womens-hairstyles-renaissance-art\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.beculture.it\\\/en\\\/womens-hairstyles-renaissance-art\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.beculture.it\\\/en\\\/womens-hairstyles-renaissance-art\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.beculture.it\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/Donna-allo-specchio-1512-1515-circa-Tiziano-Louvre-Parigi.jpg\",\"contentUrl\":\"https:\\\/\\\/www.beculture.it\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/Donna-allo-specchio-1512-1515-circa-Tiziano-Louvre-Parigi.jpg\",\"width\":944,\"height\":450,\"caption\":\"acconciature are rinascimento donna allo specchio tiziano\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.beculture.it\\\/en\\\/womens-hairstyles-renaissance-art\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.beculture.it\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"What have you put on your head? 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