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Galleria degli Uffizi
The history
In the second half of the 16th century, Grand Duke Cosimo I decided to have a building constructed next to Palazzo Vecchio with the aim of bringing together, and closely monitoring, the 13 main magistracies of Florence. The Uffizi Gallery, which owes its name precisely to the offices of these city institutions, was therefore built between 1560 and 1580 according to the design of Giorgio Vasari, the official architect of the Medici court and one of the very first art historians. The top floor, originally occupied by a loggia, was windowed and used as a private gallery by Grand Duke Francesco I in 1581 and has housed the extraordinary Medici collection ever since.
The collection
The Uffizi Gallery boasts one of the largest and most extraordinary collections of works of art, from antiquity to the modern age, and is considered one of the most important museums in the world today. Among its corridors, adorned with Greek and Roman statues from the Medici family’s collection, we find marvellous works ranging from the 1200s to the early 1800s. Today, the Gallery occupies the entire first and second floors of the historic palace and boasts numerous masterpieces by many of the artists who have made history. To name but a few, here we can admire works by Raphael, Leonardo da Vinci, Michelangelo, Piero della Francesca, Sandro Botticelli, Caravaggio, Giotto as well as Dürer, Rubens, Van der Goes and Rembrandt.
Although the original nucleus is represented by the works of the historic Medici collection, over the centuries the inventory has expanded considerably to include religious works acquired from convents and monasteries, as well as works owned by the later Lorraine dynasty. Together with the main collection, the building also houses the stupendous Contini Bonaccossi Collection, the Gabinetto dei Disegni e delle Stampe, an immense collection of graphic arts begun by Leopoldo de’ Medici in 1687, and the Vasarian Corridor, the historic covered walkway that allowed the family to travel undisturbed between Palazzo Vecchio and Palazzo Pitti and that today houses a splendid collection of self-portraits.
The artworks
Painting
- Virgin and Child enthroned, surrounded by angels and saints (Ognissanti Maestà), 1300-1305 circa, Giotto (1267-1337)
- Lamentation over the Dead Christ, 1303-1305 circa, Giotto di maestro Stefano, detto Giottino (documentato a Firenze nel 1368 e a Roma nel 1369)
- Annunciation with St. Margaret and St. Ansanus, 1333, Simone Martini (1284 circa-1344) e Lippo Memmi (documentato dal 1317-1347)
- The Duke and Duchess of Urbino Federico da Montefeltro and Battista Sforza, 1473-1475 circa, Piero della Francesca (1412-1492)
- The Spring, 1480, Sandro Botticelli (1445 – 1510)
- Adoration of the Magi, 1482 circa, Leonardo da Vinci (1452-1519)
- Birth of Venus, 1485 circa, Sandro Botticelli (1445 – 1510)
- Holy Family, known as the “Doni Tondo”, 1505-1506, Michelangelo Buonarroti (1475-1564)
- Mary, Christ and the young John the Baptist, known as the “Madonna of the Goldfinch”, within febbraio 1506, Raffaello Sanzio (1483-1520)
- Angel playing the lute, 1521, Giovanni Battista di Jacopo, detto Rosso Fiorentino (1495-1540)
- Supper at Emmaus, 1525, Jacopo Carucci, detto il Pontormo (1494-1552)
- Portrait of Eleonora di Toledo with her son Giovanni, 1545 circa, Agnolo di Cosimo Tori detto Bronzino (Firenze 1503-1572)
- Bacchus, 1596-1597, Michelangelo Merisi, detto il Caravaggio (1571-1610)
Sculpture
- Medici Venus, Hellenist art (Late 2nd century B. C. – Early 1st century B. C.)
- Gaddi Torso, Greek art (1st century b. C.)
- Wrestlers, Roman art (First century A..)
- Pomona, 1941, Marini Marino (1901-1980)
The artists
- Giotto (1267-1337)
- Simone Martini (1284 circa-1344)
- Piero della Francesca (1412-1492)
- Van der Goes (1440-1482)
- Sandro Botticelli (1445-1510)
- Leonardo da Vinci (1452-1519)
- Dürer (1471-1528)
- Michelangelo Buonarroti (1475-1564)
- Raffaello Sanzio (1483-1520)
- Jacopo Carucci, said il Pontormo (1494-1552)
- Rosso Fiorentino (1495-1540)
- Agnolo di Cosimo Tori said Bronzino (Firenze 1503-1572)
- Caravaggio (1571-1610)
- Rubens (1577-1640)
- Rembrandt (1606-1669)
Photo: Niobe room, Galleria degli Uffizi, Florence
Temporary exhibitions
Self-portraits on paper by 19th-century Masters
Curated by Luisa Berretti, Laura Donati, Donatella Fratini
On display at the Uffizi the faces of artists selected from the Department of Prints and Drawings
In the rooms frescoed by Luigi Ademollo on the first floor of the Uffizi, self-portraits on paper by great Masters from the Department of Prints and Drawings’ collections undergo a new rotation.
The new arrangements is dedicated to the nineteenth century, a century in which self-awareness and the urgency to spread one’s effigy became stronger among artists, who therefore used all the means, especially drawing and engraving.
The exhibition takes account of the different techniques and forms of self-representation, examining the artists who taught at the Academy of Florence or attended it – such as Baldassarre Calamai, who in 1844 portrayed himself in a pencil sketch, or more controversial characters – such as the counterfeiter Egisto Rossi, here represented with three drawings. Among the most significant self-portraits drawn at the end of the century, undoubtedly worth mentioning are the two carried out by the Florentine sculptor Adriano Cecioni (pen) and by the Ticino painter Antonio Ciseri (pencil), who moved to Florence at a very young age.
In art prints, the 19th century is represented by three great names: Domenico Morelli, with a recently purchased rare engraving executed during his stay in Florence in 1852 on view next to another unpublished version of the same subject; Federico Faruffini, with his singular and tormented self-portrait; and Giovanni Fattori, who closes the century with his famous etching on zinc here on display with the print and the engraved matrix. Finally, a tribute to a character who played a significant role in the history and formation of the Uffizi collection of works on paper: Anthony De Witt, whose self-portrait dating back to 1897 is exhibited in a captivating etching corrected with black pencil.
The collection of the Department of Prints and Drawings of the Uffizi is one of the most important graphic collections in the world in terms of artistic value and quantity of the works preserved (around 180,000 sheets). The first systematically ordered nucleus of the collection is due to Cardinal Leopoldo de’ Medici and dates back to the mid-17th century, although some drawings had already entered the Medicean collections in the 16th century thanks to Cosimo I de’ Medici, the first Grand Duke of Tuscany. In addition to being a largely historicized collection, a precious testimony to the Grand Dukes’ patronage and not only, the collection, far from being closed, is constantly growing thanks to continuous purchases and donations of old and contemporary works.
Visit information
- Uffizi, 1st floor, Works on paper (C7-C8)
- From 6 August to 27 October
Opening hours
- Tuesday to Sunday, 8.15 a.m. – 6.30 p.m.
Tuesday to Sunday, 8:15 am to 6:30 pm
Last admission 5:30 pm
Every Monday; 1 January; 25 December
2-3 hours
Temporary exhibitions included in the ticket price
Books and guides
Merchandise
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La nascita della Galleria risale al 1784, quando il Granduca di Toscana Pietro Leopoldo riorganizza l’antica Accademia delle Arti del Disegno, fondata nel 1563 da Cosimo I de’ Medici, nella moderna Accademia di Belle Arti. La nuova istituzione doveva ospitare una raccolta di dipinti antichi, moderni e di sculture al fine di facilitare la conoscenza e lo studio ai giovani allievi dell’Accademia.
Average visit time:
1-2 hours